Monday, August 22, 2016

How To Present Visual Ideas Successfully

So you’ve been commissioned to produce an visual graphic or an illustration for a client. You’ve passed the first barrier, which was to attract a client to award you the assignment and now the assignment is about to begin. And so is the challenge and thrill that comes with the potential of creating a great visual, but how the relationship between the client and the artist proceeds will determine how enjoyable the experience turns out. Now in the end, the client will have their great illustration, but how much worry, anxiety, stress, sleepless nights, extra time, revisions, and blood, sweat and tears will it take to make that happen. Here is some advice to make the process go more smoothly.

© 2012 Don Arday.
Phase 1 -- Preparation

#1 Read Your Client Relationship

There are clients that know how to be great clients and there are those that have no idea what being a good client means. And sometimes it’s hard to tell which is which, especially when you are working with a client for the first time, or only once, as many of us illustrators do. It’s very important to learn a few things about your client. It can save you a large amount of time in the long run. 

It is important to consider what you already may know about the client. This relates to the circumstances of the commission itself. Will it be a tight deadline? Is the job negotiation difficult? How quickly are you receiving responses to emails and phone calls? How long is it taking to be awarded the job? Are you having any conference calls during the process?

#2 Consider the Assignment Origin

The more levels of people there are between you and the client, the more difficult it will be to get accurate feedback and approval for your assignment. So, working for an advertising agency will present the most difficulties. The next difficult group to work for is a graphic design or media design firm. And the easiest group to work for is a publishing company. If a publishing company hires you then you are working for the client directly. 

It is important to know the pecking order for your assignment. Not only to know how to sell your concept, but also to know how much to charge for your time. Sometimes a pecking order can get quite complicated. For instance, a high profile client can hire a marketing and communications firm, who then subcontracts an advertising agency, who sub-subcontracts a design firm, who sub-sub-subcontracts you. I have personal experience in many of these situations. 

#3 Get the Right Assignment Input

There is truth in the saying “garbage in, garbage out”. As an illustrator, you know this is spot on when it comes to getting reference for your illustrations, but it is also accurate concerning assignment input. Incomplete, contradictory, biased, or just plain bad input can make coming up with an illustrative idea not just difficult but a waste of time, and in most cases, your time. This can be avoided, but it will require you to take an active role by guiding the input discussion. 

It’s up to you to make sure you get the information needed to allow the assignment to go smoothly. And, here’s an insider tip. Your client or their representative will respect you for it, and expects this from an experienced illustrator doing business. Clients tend to place talent such as illustrators, graphic designers, and photographers into a separate non-business box. Even the best clients assume that artists are driven by inspiration and self-indulgence. And to some extent we are, which explains why we have the talent and skills to creatively communicate visually.

Here are some preparatory questions you can ask your client.

Concerning Demographic
Who is the audience for the illustration?
Where will the illustration be seen?

Concerning Formatting
What will be the use(s) for the illustration?
How will the illustration be reproduced and by whom?
What are the production specifications for the illustration?
Are there any objects such as logos, or products that must be in the image? 
Are there any color restrictions associated with the subject or product?

Concerning Conceptual Content
What is the purpose for the illustration?
What is the message of the illustration?
What personality, mood, or feeling should the illustration communicate?
How should the audience react to the illustration?
What qualities do you think I bring to the assignment?
Are there any ideas that should be avoided? 

Concerning Idea Presentation
Is there any preference for the style of sketch presentation?
How many sketch ideas are expected?
Who will be reviewing the sketch concepts?

Assuming a doctor patient type of relationship with a client will allow you to best diagnose their needs and preferences while giving them a voice in your process. This team building approach creates a comfort level for a client. Another way to look at it is to take a private investigator’s approach to solving a problem. This approach involves researching beyond the word of mouth input of the client and calling on your own experiences concerning the subject of the assignment. You may have personal insight into the subject, audience, or venue for the illustration.

At this point, now that you have a clearer idea as to what the assignment will entail, you should decide whether to accept it based on the type of input you have gathered. Not all potential illustration assignments are suited for all illustrators. Quite often, trouble begins when illustrators agree to take on an assignment that is a poor fit for them. It may be due to stylistic differences, a method of working, a particular subject matter, a time frame, or other reasons. 

Phase 2 -- Presentation

#4 The Idea Presentation

Understand that this is the most important phase in the evolution of an illustration assignment, and it is so important to get it right. The effort you put into your idea presentation will determine the course for the rest of the project. Your client will either feel secure about their decision to have hired you and allow you to proceed with their blessing, or they will have second thoughts, and will try to take over your job of coming up with visual ideas. This will happen to fill in any blanks you left by them not understanding your concept for the finished illustration. Unfortunately, this happens all to often, and it’s not a reflection on the quality of the idea presented, but on the presentation itself. Here’s why.

Even though you did all the necessary research and gathered good input by properly interviewing the client, you didn’t consider the following points when you presented your ideas.

#5 Think Like Your Client

Your client is solely devoted to making the project a success. Their job standing and company status depends on it. So no matter how much you think the client is against you, and “has it out for you”, they don’t. Clients just want a job well done. If they perceive gaps in information caused by a misunderstanding or poor communication, they will step in to fill them, which sometimes results in them stepping on your creative toes. When this happens it jeopardizes the quality of your illustration and the clients overall project. So try to understand how your client thinks. Ask yourself, if you were the client, how would this idea or sketch impress you.

#6 Think Verbally

The number one mistake illustrators make when presenting ideas to a client is thinking that clients are visually literate, and that they had the same kind of background, college training, and personal likes and dislikes that illustrators do. Clients are not visual like you. Failing to recognize this, there are illustrators who have many years of experience in the field that still struggle to sell a concept.

Even if you are working with an art director or designer don’t assume they will pick up on the nuances and clever use of visual elements that appear in your sketches. You have to tell clients what you are showing them.

#7 Make a Visual and a Verbal Presentation

Upon attending an illustration conference, and getting into a discussion about working with clients at dinner, I was astounded to find out that several of the illustrators I was talking with, high profile illustrators, never thought of sending verbal explanations for the sketches they presented to clients. What wasn’t astounding to me was the percentage of revisions these illustrators were asked to do to their sketch concepts by their clients.

Although illustrators are taught not to describe ideas verbally, but to sketch them out, the opposite is actually true when it comes to communicating and selling concepts to clients. Clients with no art background understand the verbal description of an idea better than a sketch of it. Of course it some times depends on the sketch, but remember most clients didn’t take art appreciation or sit through 18 credit hours of art history courses. 

As a side bar, it should go without saying that you should not present concepts that 1) you would not want to produce, or 2) are beyond your ability to produce. Remember, while working on the clients behalf, the presentation phase is where you have the ability,  and the right, to influence the outcome of the assignment. Even though the client may suggest a certain direction for an idea, it's important to exercise your creative license. After all, you were most likely hired based on samples of work that you produced for other clients, so it is not unreasonable to educate the client about how those examples became successes.

#8 Help Someone Else Sell Your Idea

It is very rare for an illustrator to come face-to-face with the client to advocate for their ideas. In nearly all cases a “middleperson” will present your proposed ideas to the client. And even though the middleperson may be an art director, designer or art rep, and what goes on during that presentation is totally out of your control, you can influence the outcome by providing a “script” for the middleperson. Now, don’t think that you will be able to orchestrate the actual decision, but a written statement about the idea, pointing out visual elements, and explaining your concept and rationale for the sketch, can go a long way to help your middleperson win over a client to your way of thinking, and to approving your idea. 

#9 Present Understandable Sketches

Clean well-crafted sketches will strongly support your idea. It’s important that all of the elements in your sketch be well defined. Presenting a refined sketch will go along way towards preventing a request for a revised one. Although us illustrators are familiar with looking at rough sketches, they are too difficult for non-visually trained people to interpret. And, roughs don’t appear to display the time value that a client would expect for a presentation that they are paying you well for. You will definitely want to avoid embarrassing questions about your sketch like “what is this thing over here”, and “is that an adult or a child”.  It may sound farfetched, but it happens all to often, and when it happens it is hard to instill confidence and trust in your client. This will lead to a lot of extra work for you.

#10 Leave Emotions Behind

It’s all right to defend an idea as long as you don’t appear to be defensive. Clients will ask you questions about your sketches. It doesn’t necessarily mean they don’t like what you are presenting. And, they are on your side, because there is only one side. Clients want you do your best. They will evaluate you as much as they do your sketches. They want to know that you are engaged and have a true commitment to their assignment. When you do great work, they succeed and will promote you and your work.

Practicing a well thought out strategy for generating and presenting your illustration ideas will not only greatly reduce or eliminate the need for revisions, but will increase your chances of completing your best work for yourself and your client.  


Tuesday, August 16, 2016

Links To Fonts Online

More and more illustrators are incorporating typography into their illustrations. To aid in this there are many online sources for fonts that can be used as reference or downloaded for use. Years ago 
© 2014 Don Arday.
acquiring fonts for use with illustrations or other forms of design work was not only very limited, but also expensive. Fonts were only available for licensing from major type development companies and foundries. Today fonts are available instantly and online for various types of licensing and usages from many sources. UGC fonts created by individuals can submitted to font websites and distributed for use, whereas in the past, designs submitted to the major foundries were scrupulously reviewed, with relatively few new font intro-ductions by comparison to now.

The listing below is by no means a complete one as new sites are frequently going live online by font providers. Included are sites offering freeware and shareware fonts, fonts for purchase, fonts available by subscription, limited application font sites, and a few type resources.

Free And Shareware Font Sites

Fonts2u

The fonts at Fonts2u are grouped into particular categories mainly based on the font appearance or style. Users can find the required font either by browsing the relevant font category or by using the extended search system. The latter makes it possible to search for a particular font by specifying font category, type, target computer platform as well as its physical characteristics, such as width, weight, special glyphs, character maps in any combination. Every font is supplied with the font details page, where all the information on the font, including its author, type of license, physical characteristics, etc. The functionality of the site allows users to download available computer fonts, upload the fonts of their own authorship into this online database, and convert font files from one format to another. Fonts available at Fonts2u.com are either GNU/GPL, Freeware, free for Personal use, Donationware, Shareware or Demo. Read the information shown in the details area of each font to avoid any confusion.

Being an online archive of the fonts for free downloading, Fonts2u also offers opportunities for font designers to upload their works to the database. The list of instruments or software applications for font creating, editing, and managing are provided at the site. Free and proprietary font editors are included in the list. 

The registration on Fonts2u is free. Membership gives users access to additional resources and functions, such as fonts rating and commenting. 


Dafont

Dafont offers a large selection of unique fonts in lots of specific categories. Selecting a font is easy with the category specific list provided. The fonts presented on the Dafont website are their authors' property, and are freeware, shareware, demo versions or public domain. The license mentioned above the download button is just an indication. Look at the readme files in the archives or check the indicated author's website for details, and contact him if in doubt. 


Urban Fonts

Urban Fonts features an amazing collection of free fonts, premium fonts and free dingbats. With over 8,000 freeware fonts, you've come to the best place to download fonts! Many fonts on this site are freeware, some are shareware, or linkware. Some fonts provided are trial versions of full versions and may not allow embedding unless a commercial license is purchased or may contain a limited character set. Review any files included with your download, which will usually include information on the usage and licenses of the fonts. If no information is provided, please use at your own discretion or contact the author directly. Although many fonts are freeware or shareware, Urban Fonts also offers a selection of “Premium” fonts for a fee of $15 and up.

With Urban Fonts you can customize the look of the font previews by typing text in the input text field provided in all the font pages, or choose the AsBbCc button to switch to an alphabetical view. The Names button switches your preview back to the name of the font. The colors of the text and background can be easily changed using the built in color picker.


California Fonts

California Fonts has 20,000 free fonts to browse and download. Unlike other font sites, California Fonts don't have to download a font, then unzip it and then move it to its final destination. All the fonts and types on this site are pre-packaged and are executed and installed as an application, a few clicks, and the downloaded free font is ready to be used. Instructions on how to use these fonts as web fonts are included to easily integrate them into website projects. California Fonts offers self-extractable and installable fonts with a Mac OSX free font manager that can be download and used without charge. 


Most impressive, California Fonts can provide a list of the currently installed fonts on you own computer, and they are displayed in sample form! Check which fonts you currently have installed on your computer. 


Font Squirrel

Find quality freeware fonts that are licensed for commercial work at fontsquirrel.com. The fonts are hand-selected typestyles and designs that are presenting in an easy-to-use format. In addition to freeware fonts, Font Squirrel also has what they call “Almost Free Fonts”, which are available for purchase. Read the license on each font before you use them. Some licenses may allow more uses than others. Font Squirrel marks fonts for different common uses, such as commercial and embedding, by using a set of symbols to indicate a font’s usage status. 


Acid Fonts

Acid Fonts has many categories free fonts to browse through with each listing the number of fonts it contains. Fonts can also be searched for by keyword. The font preview is simplified and there isn’t a character map view.


Abstract Fonts

Abstract Fonts has over 12,000 fonts uploaded by designers all over the world. Offerings can be browsed by category, designer, most recent, most popular, and by language. Abstract Fonts Registered members get the added benefit of being able to download up to 100 fonts in one zip file. Registration is completely free and isn't requited to download fonts.


1001 Free Fonts

1001 Free Fonts first opened its doors in December 1998 and has since grown to become the most popular free fonts archive online. We receive more than 50,000 visitors daily and have received 150,000,000 visitors since 1998. Over 3,000,000,000 free fonts have been downloaded since 1998. In addition to free fonts, a 10,000 font package is available for download for $19.95.


Font Space

Over 23,000 free fonts are available on FontSpace through designers out there who share their fonts for free. FontSpace uses Fontologist, which adds many rare fonts from the late 90's. All the fonts are checked periodically to ensure they are freeware, shareware, or under an open source license, but if in doubt, it is advised to contact the designer of the font for correct licensing. 

FontSpace makes it easier to find fonts with generous 100% free commercial-use licenses. Just click "Filter Options" and check the commercial-use box shown with the font.


Font River

Font River's goal is to provide visitors with free downloadable fonts and dingbats for both Windows and Mac. This includes offering useful content, easy font finding features and a huge selection of original typefaces and font families organized by categories. All fonts can be downloaded for free, certain usage restrictions may apply in respect to the different font licenses. Some fonts, although they can be used privately, are not free for commercial use. The FontRiver.com Typeface Collection was retrieved from various sources on the web. All fonts are their authors' property, and are freeware, shareware, demo versions or public domain.


Search Free Fonts

One of the Largest Free Font Selections on the web with over 13,000 free fonts to find the unique font for your document to make an attractive and successful statement. SearchFreeFonts.com. makes finding these high quality fonts easier. The SearchFreeFonts.com collection contains over 13,000 free fonts and over 91,000 commercial fonts available for a fee.


Font Freak

Font Freak is one of the largest and most visited freeware and shareware font sites on the net. Here you can download free fonts - well over 9000 of them - as well as purchasing over 125,000 commercial fonts. Thousands of free fonts can be found to download from over 400 different designers. Most fonts have a PC and Mac version. The fonts are sorted alphabetically for easy downloading. There are free cursive fonts, calligraphy fonts, cool fonts, graffiti fonts. All dingbats are in true type format. New fonts are added daily. Font software can be obtained by visiting the software section for the latest updates of font editors and font managers available for download with free trial versions available.


Open Font Library

The Open Font Library promotes freedom as it relates to the use of type. All the fonts that appear on the site come with the freedom to use, study, share and remix them. The site also includes web fonts that can be effortlessly included on your website's design, thanks to the wonderful features of CSS. Open Font Library features a “Guidebook”, a how-to guide for anything and everything regarding  the Open Font Library. For those interested in knowing more about creating open fonts, there is technical information and creative tips on how to design your own typeface can be found.


Discover Fonts

Like Acid Fonts, Discover Fonts lists many categories free fonts to browse through with each listing the number of fonts it contains. Fonts can also be searched for by keyword. The font preview is simplified and there isn’t a character map view. The fonts shown range from amateur submissions to professional ones.


ReFont

Like Acid Fonts and Discover Fonts, ReFont lists many categories free fonts to browse through with each listing the number of fonts it contains. However ReFont contains over 30,000 fonts. Fonts can also be searched for through a browser link back to ReFont. The fonts presented are their authors' property, and are either freeware, shareware, demo versions, or public domain. The license mentioned above the download button is just an indication. Review the readme-files in the zips or check the indicated author's website for details, and contact him or her if in doubt. The site has tools for font creation, font management and more.


Font Cab

FontCab.com makes it easy to find great fonts without waisting time. The simple layout and website interface make it easy to navigate through dozens of fonts without much effort. All fonts are free for personal or commercial use.

http://fontcab.com/category/

Fontsy

Fontsy offers free fonts for use in designs or other documents, print media and so on. Fontsy.com currently has 14708 free fonts. A custom preview can be created of each font of interest in different sizes to see how every character looks. Users can also rate fonts. Every font is categorized into one of 81 categories. In addition to free fonts, Fontsy also has font packs of 2,000, 5,000, and 15,000 fonts available for purchase.


Font Spring

Font Spring is a font license distributor who’s goal is to make buying fonts easy. Font licensing can be so complex that licensors can't just focus on design, they have to navigate cumbersome embedding permissions. This is not the case at Font Spring. Fonts licensed from Font Spring can be used on as many projects as needed. No annual fee. Font Spring is taking the guesswork out of font licenses and making ethical font usage achievable by everyone. Font Spring has partnered with many favorite font foundries including Exljbris, Mark Simonson Studio, Canada Type, Shinntype and more.


Limited Application Font Sites

Google Fonts

Google Fonts (previously called Google Web Fonts) is an interactive directory of free hosted application programming interfaces for web fonts. It was launched in 2010. Google fonts contains hundreds of free open source fonts optimized for primarily web-based use. They are released under the SIL Open Font License 1.1, a free software licence. The fonts are also served by Monotype’s SkyFonts, and Adobe’s Edge Web Fonts and Typekit services. Google Fonts provides high-quality fonts that you can include in your pages using the Google Fonts API.


Microsoft Fonts

Microsoft provides access to downloadable fonts and links to a variety of type resources such as meta-lists of foundries, typography forums, type speci-fications for developing fonts, and much more. Microsoft's Typography group researches and develops fonts and font technologies, and supports the develop-ment of TrueType and OpenType formatted fonts by independent type vendors. They list free font foundries and commercial foundries in a Links section.

  

Free Mac Fonts

Similar to Urban Fonts with free downloading of 10,000 fonts with one click for just $19.95, and instant and unlimited access to 10,000 fonts plus a free font manager and font catalog.

Free Mac Fonts first opened its doors in December 2002 and has since grown to become the most popular pure free Mac OSX fonts archive online with over 3,000 visitors daily and 1,000,000 visitors since 2002. More that 10,000,000 free Mac OSX fonts have been download since 2002. 


Pay Font Sites

Fonts.com

The Fonts.com store from Monotype offers more than 150,000 desktop and Web font products from Adobe, Linotype, Monotype, ITC, and hundreds of others
for you to preview, purchase and download. You can also learn about new typeface releases and discover typographic tips and techniques.

Fonts.com has limited free access, but is mainly a subscription-based service with fees ranging from $10 to $100 per month. 


Explore the world of typography with Fonts.com as your guide. Our Learn About Fonts & Typography section is your resource for improving your typographic acumen and keeping up with what’s new on Fonts.com and the latest trends in visual design.


My Fonts

My Fonts is the world’s largest collection of fonts for your project. Fonts can be identified and tried before buying. Favorite fonts can be organized for later use and purchase.

My Fonts was established in January 1999 to create a new way of finding, trying and buying fonts. My Fonts created the website as a showcase of the world’s fonts available. My Fonts hosts the largest collection of fonts ever assembled for on-line delivery, and offers easy ways to find and purchase fonts on-line. My Fonts allows a search for fonts using any keyword you want. Use a descriptive term such as invitations, a font name such as Baskerville, or a foundry or designer’s name, and My Fonts  returns the fonts that most closely match what is searched for.

What The Font™, one of My Fonts’s most popular features, lets you upload scanned images of fonts to the Web site, where What The Font displays the closest match to your font sample.

Select a font license based on your needs. My Fonts sells desktop, web, mobile app, eBook, and server fonts. This makes it easy to extend designs across platforms. There is also an additional discount when multiple license types are purchased together. 


Hype For Type


HypeForType was founded by designer and art director, Alex Haigh. HypeForType has not only introduced over 20,000 new @font-face webfonts, but has also launched live webfont rendering and category specific search tools. Fuelled by a long-term obsession for type, Alex’s design career accelerated rapidly, from his first Junior Designer role fresh out of college, to a freelance Senior Designer position at the universally admired agency AKQA, all within the space of two years. Exposure to the most talented people in their fields at AKQA is where the roots of HypeForType formed for Alex, working late until the early hours of the morning on a “typographic side project” would eventually form what is now known today as HypeForType.

https://www.hypefortype.com/

Ascender Fonts

Ascenderfonts.com has the finest, high quality fonts available for instant download. The font experts at Monotype Imaging has a professional grade selection of TrueType fonts and OpenType fonts from licensed type designers and foundries. With a strong corporate emphasis, Ascender Fonts offers a variety of license extensions for fonts used on web servers, application servers, and enterprise-wide licenses. The Ascender type design team has created many custom fonts for Fortune 500 companies. Our specialty is adding logos, language support, creating new weights and styles, and converting font formats and platforms including custom fonts & bespoke fonts. Ascender Fonts also licenses fonts to a to developers and companies who bundle or integrate fonts into their software products. 


Adobe Typekit

Typekit is trusted by the web’s biggest sites, from The New York Times to WordPress, Twitter, and more. Scale from our smaller plans to millions of pageviews with our Business Plans. Typekit has thousands of world class fonts, from old classics to new favorites fonts, and is growing. New fonts are added all the time, so Typekit continues to get better and better. Typekit works in all modern browsers and operating systems. Fonts are updated as browser support and font technology evolves.  Typekit selects fonts by their rendering quality and work closely with Ourfont foundries to ensure that their fonts meet high standards.

Typekit is a subscription service with yearly subscriptions that range in price from $24.99 to $99.99 per month.


Ultimate Font Download

The Ultimate Font Download is the largest and best selling font collection online containing over 10,000 fonts licensed directly from award winning font designers. The Ultimate Font Download is licensed for commercial use and is perfect for scrapbooking, invitations, web design, newsletters, flyers, logos, t-shirt prints and more. Get instant and unlimited access to 10,000 fonts today. Font collection contains thousands of exclusive fonts licensed for commercial and personal use including a font manager and printable font catalog. Download 10,000 fonts with one click for just $19.95 with a 100% satisfaction guarantee or your money back.


Font Resources

What The Font

To identify a font in use just submit an image to What The Font to find the closest matches in our database. Or, let cloak-draped font enthusiasts lend a hand in the What The Font Forum. Fonts can be uploaded as an image or as a link to a URL. What The Font is also available as an IOS app.


Identifont

Since its launch in November 2000 Identifont has become the largest independent directory of digital fonts on the Internet. It provides a range of features to help you locate fonts or find information about fonts by descriptive appearance, name, similarity of traits, or by using a picture.
Foundries and designers have been extremely supportive in providing samples of their fonts for use by us in adding the information to Identifont. We do the work of training the expert system and creating the character-set GIF sample images ourselves, to ensure accuracy and consistency.

Identifont also allows a personal Fontset of fonts to be created for reference as a shopping list of fonts to buy, or a list of close matches to a font search.


Create Your Own Fonts

Ico Moon

Build custom fonts using the Ico Moon App that only contain icons needed with pixel perfect results. Unlike similar services, the Ico Moon app takes grid sizes of icons into account and generates crisp, pixel perfect results. With a proper alignment, the font size directly translates to the size of the icons. The Ico Moon app is free. The Ico Moon Library features many high quality icon sets. All of these icons are designed on a grid and are optimized for use with the Ico Moon app. Add any set to easily browse and search it's icons.

The Ico Moon app is an advanced iconography tool. It sorts icons, manages icon collections, or makes icons searchable by adding tags to them. In addition to fonts, the app can generate PNGs, SVGs and CSS sprites in any size and color. The Ico Moon app allows the importing of personally created vectors (SVG images or SVG fonts). Vectors won't get uploaded to Ico Moon servers when imported. Some basic editing options such as moving, mirroring and rotating are available too.

Once loaded in a browser, the Ico Moon app works offline. When an icon is imported or a font is generated, everything happens locally, in the browser. And the icons/fonts won't be uploaded to Ico Moon’s servers. The Ico Moon app is available without a connection if installed from the Google Chrome Web Store.


FontStruct


FonStruct is a place where the community can design fonts and share them with others for free. Obviously that means there are a lot of fonts to search through, and more are added every day. The site's easy to navigate and the best fonts are picked for the FonStruct galleryFontStruct is a free, font-building tool sponsored by FontShop. With FontStruct you can easily create fonts using geometrical shapes. You create “FontStructions” using the “FontStructor” font editor. Once you're done building, FontStruct generates TrueType fonts, ready to download and use in any application. You can keep your creations private, but we encourage users to share their FontStructions. Explore the Gallery of fonts made by other FontStruct users. Download them, or clone them and make your own variations.

http://fontstruct.com/

Your Fonts

Your Fonts is an online font generator that allows a user to create handwritten OpenType fonts within a couple of minutes. Personal handwriting can now be turned into a font. handwriting as a font! Create fonts with more than 200 characters that optionally include a signature and digitally sign contracts with it. Users can make as many fonts as they like with each font being made within 15 minutes. Use the fonts on Windows, Mac OS X and Linux. Use your fonts in Microsoft Word, PowerPoint and others.

The cost is $9.95 (plus $5.00 if you upload both template pages). Purchase is only required if satisfied with the created font. YourFonts allows large templates (up to 6000 x 9000 pixels) to be uploaded and it has the most advanced raster to vector conversion algorithm. Together this results in unbeatable high quality personal fonts.